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It's not just limited to the occasional aside, although lines like "Holy crap!", "Damn my hair!" and "Get a grip!" are used liberally. In the case of Fifty Shades of Grey, it could be a blessing, because Anastasia Steele is a cardboard cutout whose inner monologue is excruciating to read. In the case of The Hunger Games this was a bad thing, because Katniss Everdeen is a nuanced and interesting character whose inner life has resonance. Fifty Shades, while arguably not aimed at young adults, is another example of this, and what it means for Hollywood adaptations is that a lot of the main character's depth will inevitably be lost. It's becoming increasingly common for young-adult novels - including The Hunger Games - to be written in the first-person present tense, which creates a sense of immediacy. What's really galling about the book is James's tortuous and clunky prose - just take a look through these highlights if you don't believe us - and unless Marcel has gone for a voiceover, all that will be excised on-screen. Bluntly, if the sex isn't hot, there's nothing to fall back on here.īut if the makers of Fifty Shades are able to preserve the erotic stuff, there's potential for the film to be substantially better than the book. The sex scenes - shoddily written and littered with weird metaphors though they are - are the only aspect of the book that works. Any conversation that occurs between characters exists only as a stepping-stone to the next bit of boning.
How many fifty shades of grey movies are there series#
It's a series of increasingly extreme sex scenes punctuated by half-hearted gestures towards plot and backstory. It remains to be seen whether Marcel will be willing or able to stick to her guns, if the studio are determined to push for a lower rating, but going the whole hog with the explicit scenes is more or less the only way this thing can work.īecause let's be clear: Fifty Shades of Grey is not a layered story populated with three-dimensional characters and compelling dramatic incidents. The promised NC-17 certification is the most obvious stumbling block, immediately cutting out a substantial portion of the audience that traditionally make or break a film's box office performance.